Interestingly, the temple complex also accommodates the shrines of Maha Ganapathi, Subrahmanya, Dakshinamurty and Balamba; all Shakthi deities. The temple complex has a Pushkarini, a lake, named kamalalaya, the abode of Kamala.This tank is reffered to by Dikshitar, in his kritis, as Kamalalaya thirtha and the Devi is Kamalalaya thirtha vaibhave. The town of Tiruvarur is mentioned as Kamala nagara (e.g. Kamalanagara viharini) and as Kamala pura (e.g.Kamalapura sadanam); referring to Devi as one who resides in and walks about the town of Kamalapura/Kamalanagara.
The most outstanding of such series of compositions is of course the magnificent Kamalamba Navavarana kritis. They are incomparable compositions and are the jewels of Carnatic music.These compositions, intellectually sublime steeped in deep devotion, are a testimony to Dikshtar's musical genius, his mastery over the Sanskrit language; and his thorough knowledge of and intense dedication to Sri Vidya, Sri Chakra and the worship of its avaranas.
The set concludes with a short and sweet mangalam (auspicious conclusion) in Sri ragam set in Khanda Ekam (5 beat talam). The entire set consists therefore of the dhyanam (invocation), the nine avaranas, and the mangalam (conclusion), a total of 11 pieces.
The 9 kritis are as follows:
Kamalamba Samrakshathu - Anandabhairavi - Misra Chapu
Kamalambaam Bhajare - Kalyani - Adi
Sri Kamalambikaya Katakshitoham - Shankarabharanam - Rupakam
Kamalambikayai - Kambhoji - (Khanda) Ata
Sri Kamalamba param - Bhairavi - Misra Jampa
Kamalambikayaastava - Punnagavarali - Rupakam
Sri Kamalambikayam - Sahana - Tisra Triputa
Sri Kamalambike - Ghanta - Adi
Sri Kamalamba Jayati - Ahiri - Rupakam
The rendering of these Kritis are considered to be extremely challenging owing to the complexity of the words and the notations.
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Please see my translations of these in http://stotraratna.sathyasaibababrotherhood.org/gi5.htm
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