achyuthaashtakam by Sankara
This sthothra is of high significance as it makes easy repeating and stands as an illustration of ‘kalou namasankeerthanam.’ The namas repeated even without knowing the meaning have great powers but to know the meaning makes it more enjoyable. In sahara nama we have the some of the names repeated more than once and the commentators like Sankara and Parasara Bhatta give different connotations to each . Hence I thought that Sankara. Repeating some names would have also meant different connotations. Hence this small effort to explain the meanings of the names with the blessing of the Lord Achyutha.
1.achyutham keSavam raama-naaraayanam
krishna-dhaamodharam vaasudhevam harim;
sreedharam maadhavam gopikaavallabham
jaanakee-naayakam ramachandram bhaje
bhaje- I worship
achyutham- the Lord who is called Achyutha, meaning one who never swerves from His promise or from His state as the protector of all. Svarupasaamarthyaath na chyuthah na chyasthe na chyavishyathi ithi. Does not swerve from His position in the past present and future. SaSvatham Sivam achyutham , says the Upanishad of Brahman.He is eternal,ever pure and never swerves from His state of the supreme Lord.
keSavam- Kam means water and also happiness, sukham. As water in the form of rain is conducive to bring happiness The lord is the Isvara of both, Kasya isah. The particle va is added to denote possession.
The other meaning of the word is ,’ a ‘is Vishnu,’ ka’ is Brahma and’ isa’ denotes Rudra, the trinity who are the amsa, modes of the Paravasudeva, Lord Narayana The particle va is added to imply that they are under His control, vasa.. Kascha ascha isasha kesaah, thaan vaathi, sargaadhi kaaryaartham, The Lord Narayana activates them towards their functions of creation, sustenance and annihilation
raamanaaraayanam- Why the word Rama is coupled with Narayana is to denote that Rama was the incarnation of Narayana.
ramyathe (svaroopaguNaath) ithi raamaH. One who pleases everyone with his form and attributes. Also ramanthe asmin (yoginaH) ithi raamaH. The yogis revel in the Lord.. The name rama is equal to all the thousand names of the Lord as maintained by Lord Siva himself. “Sreeraamaraamaraamethi rame raame manorame sahasranaama thaththulyam raamanaamavaraanane
Krshna dhaamodharam- Two names Krishna and dhamodhara are coupled together.
krshNa- krshir-bhU-vAcakah Sabdo NaSca nirvrti vAcakah
vishNus-tad bhAvayogAcca krshNo bhavati SASvatah
(MB-Udhyogaparva.)
krshi means earth and the particle ‘ Na ‘ denotes happiness. Vishnu is known as KrishNa because he ploughs the universe to give happiness.
dhaamodhara- He is called dhaamodhara because he had the rope tied on his stomach by Yasodha and tied to the mortar. But why Dhamodhar was coupled with Krishna here is that no other form than as dhamodhara Krishna gives maximum happiness to the devotees which justifies his name as Krishna, because it implies that He could be bound only by bhakthi.
Vaasudhevam- vasathi , aaccHaadhayathi sarvam ithi vaasuH. He abides everywhere and conceals Himself through His maya. He is the deity of the Vaasudevamanthra
Harim- Sahethuka samsaaram harathi. He removes the samsara along with its cause, namely the ignorance.
Sreedharam- One who possesses greatest glory . The Lord says in Gita,
yath yath vibhoothimath satthvam Sreemadh oorjitham eva vaa
thath thath eva avagacCha thvam mam thejo amSasambhavam(BG.10.41)
Whatever entity that is manifested with glory, power and energy know that to be a fragment of My glory.
maaDhavam- One who can be known through jnana, dhyana and yoga .'Mounaath dhyaanaath cha yogaath cha viddhi bhaaratha maadhavam'- (Mahabharatha.)
maDhuh, jnaanam asya sthi ithi maaDhavah. The propounder of the supreme knowledge. maa means knowledge.
In HarivamSa it is said,
‘maa vidhyaa cha hareh prokthaa thasyaaH eesah yatho bhavaan; thasmaath maaDhava naamaa asi.’ ma is the jnana of Hari.You are the Lord of that and hence known a maadhava.
maa also means to measure. maathvaa jagath Dhoonayathi ithi maaDhavah. He causes movement of the universe which He measured.
Gopikaavallabham- the beloved of the gopis. He was achyutha for gopis because He promised them that He will satisfy their wish when they followed pavai nonbu.
‘aayarsiRumiyarOmukkaRaipaRai
maayan manI vanNNan nennalE vaai nErndhaan , says Andal, meaning that Krishna has already promised to give them what they wanted.
Jaanakeenaayakam raamachandram- Ramachandra the consort of Seetha. . It is significant that Sankara calls Him jaanakeenayakam raamachandram, in the context of mentioning His as achyutha as Rama was known not to go back on His word. ‘ramO dhvirnaabhibhaashathe, ‘ He says to Kaikeyi in Valmiki Ramayana.
Thus in the first sloka all the names could be contrived to mean the parathva of Achyutha. In the following slokas the rest of the denotations of achyutha etc. can be explained.
2.achyutham keSavam sathyabhaamaadhavam
maadhavam Sreedharam radhikaaradhitham;
indhiraamandiram chethasaa sundaram
dhevakee-nandhanam Nandhajam sanDhadhe
sanDhadhe- I resort to
achyutham- He neither swerves from His assurances nor from His devotees. That is why Rukmini called Him 'achyutha' and 'Nrsimha,' and not by any other name. In this sloka He is seen to be achyutha to Sathyabhama to whom He fulfilled the promise of bringing the parijata tree to her garden.
Kesavam- The commonly construed meaning of the word is however , the one possessing abundance of lovely locks of hair as kesa means hair, seems to be appropriate here as He is described as raaDhikaaraaDhitha,sathyabhaamaadhava , dhevakeenandhana and nandhaja all of whom would have enjoyed Him as Kesava.
Sathyabhaamaadhavam- the consort (Dhava)of Sathyabhama.
maaDhavam- maa means Lakshmi. Dhava is master or lord or husband.
SreeDharam-one who holds Lakshmi on His chest.
raaDhikaaraaDhitham- one who was worshipped by Radha.
Indhiraa mandhiram- one who is the abode of Lakshmi. This is not the same as sreedharam or the one who holds Lakshmi on Hids chest because while the former means the He bore her on His chest this one says that she has made His chest her permanent abode.
chethasaa sundharam- He is beautiful in heart. This goes with the names SreeDhara and indhiraamandhiram because His heart is made beautiful because of lakshmi residing init and fills it with dhayaa.
dhevakeenandhanam- son of Devaki or one who gives joy to Devaki
nandhajam- Son of Nandha or one who produces joy
All the names in this sloka describe His soulabhya as the husband of Sathyabhama, son of Devaki and also Nanda and beloved of Radhika and Lakshmi while the earlier one described Him the Supreme Brahman.
3.vishNave JishNave Sankhine chakriNe
rukmiNeeragiNe jaanakeejaanaye;
vallaveevallabhaa yaarchithaayathmane
kamsavidhvamsine VamSine the namaH
namaH-Salutations
vishNave- to Vishnu, the all pervading –yasmaath viSvam idham sarvam thasya Sakthyaa mahaathmanaH thasmaath eva uchyathe vishNuH viS DhaathoH praveSanaath- He is called Vishnu because He enters the whole universe and protects. The root viS means to enter.
jishNave-to jishnu- One who is victorious or all powerful. Vishnu denotes His omnipresence and jishnu denotes His omnipotence.
Shankine- to one who wields the conch. Panchajnaya the conch of the Lord signifies bhoothaadhyahankara, the subtle elements, thanmathras, because it stands for sabda, the first thanmathra from which the aakaasa was formed.
chakriNe- to one who wields the disc, sudarsana chakra, which denotes manasthathva, the mind which is always revolving.
Thus the creation by the Lord is denoted.
rukmiNeeraagiNe-to one is the lover of Rukmini
Jaanakeejaanaye- one to qhom Janaki is the consort.
Vallaveevallabhaaya-to the one who is beloved of gopis.
archithaayaathmane –to one who was worshipped by them as their own self
kamsavidhvamsine- On who killed Kamsa
vamSine- One who played the flute.
The significance of this sloka is that the one who was the all pervading all powerful supreme reality from whom the universe originated Himself became the gopala, beloved of gopis , who saw their own self in him and also displayed his power in slaying Kamsa. Lakshmi accompanied him in Ramavatara as Janaki and in Krishnavatara as Rukminee. The choice of words to denote rukmiNeepathi and jaanakeepathi is quite interesting. RukmiNeeraagiNe while denoting the one who is the lover of Rukminee is also construed in a different manner. Rukma mean gold and RukmiNe is the one who has the golden hue. Raga also means colour and raagin meas coloured or dyed and hence the word rukmiNeeraageNe may mean that Krishna reflected her golden colour as it is said that Krishna became white and Radha became dark by mutual association.( This is only my manodharma)
Jaanakeejaanaye means the one to whom Janaki is the wife. It may be used here to denote that while RukmiNee wooed Krishna by sending love letter and thus taking the first initiative, Seetha or Janaki was won by Rama of his own choice!
4.krishna govindha he raama naarayana
Sreepathe vaasudhevaajithe Sreenidhe;
achyutanantha he madhavaadhokshaja
dvarakaanayaka draupadhee-Rakshaka
KrishNa – oh Krishna-Here by the word Krishna the common meaning of Krishnavasudeva, who is given that name because of His attraction to everyone and his dark complexion is meant.
govindha- this is the most effective and one which is most liked by the Lord and . Andal was fond of this nama is also shown by her mentioning it in the three of her main pasurams. Thename has got great implications as the word ‘go’ has several meanings ( vide my commentary of the pasuram’ karavaigaL pin senRu’ in my note ‘sangatthamizh maalai 26to30), in sanskrit such as earth, indriya,svarga,or mokshaastra Cow, veda etc.
More than anything else When the Lord is called Govinda He feels indebted to the devotee as in the case of Droupadi who screamed with grief calling Him Govinda when He immediately came to the rescue. May be that is the reason the name is included in this sloka where the word dhrauoadheerakshaka occurs.
He raamanaaraayaaNa- naraaNaam ayanaH, Naaraah ayanam asya ithi vaa. Ayanam means abode. Naaraah menas the thathvas starting from mahat from which the ahankaras and thnamathras down to the gross world have been created. The three gunas are the constituents of prakrthi the combination of which all thathvass came about. The Lord is the abode of the thathvas, naaraas, from whom everything came and into whom everything merge in the end.
Also the naaraas are His abode as He has entered into everything as their inner self.
Yasya kimcit jagat sarvam dRSyate Srooyathepi vA |
antar-bahiSca tath-sarvam vyaapya naaraayaNah sthitah
Whatever object there is in the Universe that is seen or heard, narayaNa is pervading all that, both inside and outside.
It is coupled with Rama perhaps to show that He not only enters in every being but also gives them joy , ramayathi ithi raamaH.
Sreepathe-Lord of Lakshmi
Vaasudheva- Son of Vasudeva
ajitha-invincible
SreeniDhe- asmin akhilaa SriyaH niDheeyantha. In whom all glory and wealth abide.
achyutha- The word achyutha here is inserted in accordance with the name that comes later in the sloka, dhraupadhee rakshaka. He proved that He is achyuth, one who neverforsakes his devotees by protecting her.
anantha- Limitless. dheSa kaala vasthu avaDhayaH naasthi thasya ithi.
He cannot be limited by time , space or entity because He is eternal, allpervading and therefore His form is not limited like any other entity.
He maaDhava-the word maaDhava also means spring. Vide krishnakaranmrtha sloka which is in the form of a conversation between a gopi and Krishna
angulyaa kaH kavaatam praharathi -“Who is knocking the door with finger?”
kutile maaDhavaH - “Oh cunning girl, it is Madhava.”
kim vasanthaH - “What? The spring?”
no chakree - “No, the wielder of chakra.”
kim kulaalaH - “ What? The potter?”
na hi DharaNiDharaH- “ No, no. the one who supports this earth.”
kim dhvijihvaH phaNeendhraH- “What? The serpent with two tongues, Adhisesha?”
Naaham Dhaaraahimardhee- “No I am the one who tamed the serpent which lived in the river.”
kim asi khagapathiH- “What? You are Garuda?”
no hariH - “No.Hari.”
kim kapeendhraH - “What? – Lord of the monkeys?”
May Krishna who was thus discomfited by the gopi in conversation ithyevam gopakanyaa prathivachana jithaH, protect you.
Here is a beautiful play on words using pun on the words madhava.,chakree,DharaneeDharaH, Dhaaraahimardhe and Hari, with double meaning by which the gopi teases Krishna .
aDhokshaja-. aksham adhah tayor-madhye vairAja rUpeNa ajAyata iti
adhkshajah. aksham is sky and aDhah denotes the region below. The Lord manifests in the sky and below as viraat, in His cosmic form.
dvaarakaanayaka- Lord of Dvaraka, the name along with Govindha and Krishna Draupadhi called in distress.
“Shankhchakragadhaapaane dhvaarkaanilayaachyutha
Govindhapundareekaaksha raksha maam SaraNaagathaam
“ Oh wielder of shankha , chakra and gadhaa, who resides in Dvaraka, Govindha , pundareekaksha ( lotus eyed) protect me who surrender to you.
haa krshNa dhvaarkaavaasin kvaasi yaadhavanandhana
Imam avasThaam sampraapthaam anaaTHaam kim upekshase
He Krshna , dweller of Dvaraka, where are you, the son of yadhava, why did you forsake me who has attained this state?
Hence the last nama of the sloka is draupadheerakshaka. He proved that He is achyutha not once but several times.
5.rakshasakshobhithaH seethayaa Sobhito
dhandakaaraNya bhoopuNyathaa KaaraNaH;
lakshmaNenaanvitho vaanaraiH Sevitho
agasthyasampoojitho raghavaH paathumaam
raaghavaH- Rama
raakshasakshogbhithaH-who agitates rakshasa
seethayaa SobhithaH- who shines with Seetha or by Seetha.
dhandakaaraNya bhoopuNyathaa KaaraNaH- who sanctified the land of Dandakaranya
lakshmaNenaanvithaH- one who is attended by Lakshmana
vaanaraiH sevithaH – one who was served by vanaras.kish
Paathu maam- may protect me.
In this sloka Sankara has given a gist of Ramayana.
6.dhenukarishtahaa aNishtakriddhveshinam
keSihaa kamsahridhvamSikaa vaadhakaH;
poothanaakopakaH Soorajaakhelano
baala-gopaalakaH paathu maam sarvadhaa
baalagopaalaH – the child Gopala
dhenukaarishtahaa- who killed Dhenuka and Arishta
anishtakrth- who punished the enemies
keSihaa- who killed the demon Kesi
kamsahridh- who killed Kamsa
vamSikaavaadhakaH- who played the flute
poothnaakopakaH- who got angry with poothana and killed her
soorajaakhelanaH- who played on the banks of Yamuna
paathu maam-protect me
sarvadhaa- always
Sankara has now switched to krishnavatara and describes all the balaleelas of Krishna. He semed to have got so infatuated with it and continued in the rest of the slokas describing the beautiful form of Krishna.
6.vidhyudhudhyothavath prasphuradhvaasasam
praavridambhodhavath prollasadhvigraham;
vanyayaa maalayaa SobithorasThalam
lohithaanghridhvayam vaarijaaksham bhaje
baje – I worship
prasphurathvaasasam- Him who is wearing a garment which shines like
vidhyudhudhyothavath- the luster of the lightning
prollasath vigraham- who has the shining form
praavrdambhodhavath- like the dark cloud about to rain
sobhthorasThalam- whose ches is adorned with
vanyayaamaalayaa- forest flowers
lohithanghridhvayam- who has a pair of red feet
vaarijaaksham- and eyes like lotuses
Here is abeautiful portrait of Krishna, wearing the yellow silk garment shining like a lightning, and His form is luminous black resembling a raincloud. He is wearing a garland of forest flowers on His chest and His feet are red , may be due to being pressed by the hands of Lakshmi, while He was lying in the milky ocean , or become tender by the devotees and devas with their crowns falling at His feet! His eyes are like lotuses. What an enchanting picture.
Sankara continues to describe the enchanting form of Krishna in the next sloka.
7.kunchithaiH kunthalairbhrajamaanaanam
rathnamaulim lasathkundalam gandayoH;
haarakeyoorakam kangkaNaprojjvalam
kingkiNeemanjulam Syaamalam tham Bhaje
bhje- I worship
Syaamalam- the dark one,
Bhrajamaanaananam- whose face shine
kunchithaiH kunthalaiH- with curly locks that surround it
rathnamoulim – who has a crown embedded with gems
lasath kundalam gandayoH- whose cheeks shine with the lutre of his kundalas
haarakeyoorakam- who is wearing necklace and armlets( jewel on His arms)
kanakanaprojvalam – who has lustrous bracelets
kinkiNee manjulam- beautiful with anklets
This sthothra is not only sweet to chant but also delightful as it brings the beauteous form of the Lord in front.
8.achyutasyashtakam yaH paTedhishtadham
premathaH prathyaham poorushaH Saspruham
vritthathah Sundaram karthruvisvambharam
thasya VaSyo Harirjayathe Sathvaram
Phalasruthi
yaH poorushaH– the man who
pateth- reads
achyuthasya ashtakam- the eight slokas on Achyutha
vrththathaH sundaram- which is beautiful metrically
karthrviSvambharam- composed on the all pervading Lord
ishtadham – which fulfills all desires
premathaH – with love
prathyaham- everyday
sasprham- with yearning
hariH – lord hari
jaayathe- becomes
thasya vaSyaH – attracted towards him
sathvaram – soon.
Copyright: Dr. Sarojaramanujam
Remarkable write up by a very great scholar . Hats off to her , Ramachander
ReplyDeletenamaskarangal.melae kurippittullavaigalai THAMIZHIL kidaikkap petraal miga nandraga irrukkum.ganapathysathiyamurthy.
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